Composer | Category | Title | Opus |
Pages |
Bartlett, Homer | Grand Polka de Concert | Op. 1 | 10 | |
Beach, Amy Marcy Cheney (Mrs. H.H.A.) | Valse Caprice |
Op. 4 |
10 | |
Four Sketches | 18 | |||
In Autumn |
Op. 15, No. 1 |
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Phantoms |
Op. 15, No. 2 |
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Dreaming |
Op. 15, No. 3 |
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Fire-flies |
Op. 15, No. 4 |
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Three Pieces | 18 | |||
Barcarolle |
Op. 28, No. 1 |
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Menuet Italien |
Op. 28, No. 2 |
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Danse des Fleurs |
Op. 28, No. 3 |
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Children's Album | 10 | |||
Minuet |
Op. 36, No.1 |
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Gavotte |
Op. 36, No.2 |
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Waltz |
Op. 36, No.3 |
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March |
Op. 36, No.4 |
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Polka |
Op. 36, No.5 |
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Two Pieces | 8 | |||
Scottish Legend |
Op. 54, No. 1 |
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Gavotte Fantastique |
Op. 54, No. 2 |
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Variations on Balkan Themes |
Op. 60 |
25 | ||
Prelude and Fugue |
Op. 81 |
19 | ||
Two Pieces | 8 | |||
Farewell, Summer | Op. 102, No.1 | |||
Dancing Leaves | Op. 102, No.2 | |||
Cradle Song of the Lonely Mother |
Op. 108 |
6 | ||
Ballad | 10 | |||
Piano 4 Hands | Summer Dreams | |||
The Brownies |
Op. 47, No. 1 |
6 | ||
Robin Redbreast |
Op. 47, No. 2 |
6 | ||
Twilight |
Op. 47, No. 3 |
2 | ||
Katy-dids |
Op. 47, No. 4 |
4 | ||
Elfin Tarantelle |
Op. 47, No. 5 |
6 | ||
Good Night |
Op. 47, No. 6 |
4 | ||
Bowles, Paul | Folk Preludes | 7 | ||
I. Peter Gray | ||||
II. Ching a Ring Chaw | ||||
III. Whar Did You Cum From | ||||
IV. Oh! Potatoes They Grow Small Over There | ||||
V. Cape Ann | ||||
VI. Ole Tare River | ||||
VII. Kentucky Moonshiner | ||||
Bristow, George Frederick |
Souvenir de Mount Vernon grande valse brillante |
Op. 29 | 10 | |
Buck, Dudley | Introduction and Rondo Brilliante |
Op. 7 |
9 | |
Carpenter, John Alden | Polonaise Américaine | 5 | ||
Impromptu | 5 | |||
Tango Américaine | 8 | |||
Little Indian | 4 | |||
Little Dancer | 5 | |||
Krazy Cat A Jazz Pantomime (version For piano by John Alden Carpenter) |
24 | |||
Carr, Benjamin | Fantasia on the Air "Gramachree" | 9 | ||
Chadwick, George W. | Caprice No. 2 | 6 | ||
Scherzino, from 6 Characteristic Pieces | Op. 7 | 6 | ||
Five Pieces | ||||
Prélude Joyeux | 6 | |||
Dans le Canot (Barcarolle) | 6 | |||
Le Ruisseau (Étude) | 7 | |||
Le Crépuscule (Romance) | 3 | |||
Les Grenouilles (Humoresque) | 8 | |||
Coleridge-Taylor, Samuel | Three Humoresques | 19 | ||
I. |
Op. 31, No. 1 |
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II. |
Op. 31, No. 2 |
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III. |
Op. 31, No. 3 |
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Moorish Dance |
Op. 55 |
16 | ||
Twenty-Four Negro Melodies | ||||
At The Dawn Of Day | Op. 59, No. 1 | 4 | ||
The Stones Are Very Hard | Op. 59, No. 2 | 3 | ||
Take Nabandji | Op. 59, No. 3 | 4 | ||
They Will Not Lend Me A Child | Op. 59, No. 4 | 4 | ||
Song Of Conquest | Op. 59, No. 5 | 7 | ||
Warriors' Song | Op. 59, No. 6 | 7 | ||
Oloba | Op. 59, No. 7 | 9 | ||
The Bamboula | Op. 59, No. 8 | 5 | ||
The Angels Changed My Name | Op. 59, No. 9 | 6 | ||
Deep River | Op. 59, No.10 | 6 | ||
Didn't My Lord Deliver Daniel? | Op. 59, No.11 | 6 | ||
Don't Be Weary, Traveler | Op. 59, No.12 | 4 | ||
Going Up | Op. 59, No.13 | 5 | ||
I'm Troubled In Mind | Op. 59, No.14 | 4 | ||
I Was Way Down A-Yonder | Op. 59, No.15 | 5 | ||
Let Us Cheer The Weary Traveler | Op. 59, No.16 | 5 | ||
Many Thousand Gone | Op. 59, No.17 | 6 | ||
My Lord Delivered Daniel | Op. 59, No.18 | 5 | ||
Oh, He Raise A Poor Lazarus | Op. 59, No.19 | 7 | ||
Pilgrim's Sing | Op. 59, No.20 | 4 | ||
Run, Mary, Run | Op. 59, No.21 | 5 | ||
Sometimes I Feel Like A Motherless Child | Op. 59, No.22 | 4 | ||
Steal Away | Op. 59, No.23 | 6 | ||
Wade In The Water |
Op. 59, No.24 | 6 | ||
Forest Scenes |
25 | |||
I. The Lone Forest Maiden | Op. 66, No. 1 | |||
II. The Phantom Lover Arrives | Op. 66, No. 2 | |||
III. The Phantom Tells His Tale of Longing | Op. 66, No. 3 | |||
IV. Erstwhile They Ride, The Forest Maiden Acknowledges Her Love | Op. 66, No. 4 | |||
V. Now Proudly They Journey Towards the Great City | Op. 66, No. 5 | |||
Cowell, Henry |
Three Irish Legends |
7 | ||
The Tides of Manaunaun | ||||
The Hero Sun | ||||
The Voice of Lir | ||||
Dynamic Motion |
5 | |||
Four Encores to Dynamic Motion | 13 | |||
1. What's This |
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2. Amiable Conversation |
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3. Advertisement |
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4. Antinomy |
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Two Woofs |
2 | |||
Crawford (Seeger), Ruth |
Piano Study in Mixed Accents |
4 | ||
4 Preludes for Piano |
14 | |||
Farwell, Arthur |
Impressions of the Wa-Wan Ceremony of the Omahas | 16 | ||
Receiving The Messenger | Op. 21, No. 1 | |||
Nearing The Village | Op. 21, No. 2 | |||
Song Of Approach | Op. 21, No. 3 | |||
Laying Down The Pipes | Op. 21, No. 4 | |||
Raising The Pipes | Op. 21, No. 5 | |||
Invocation | Op. 21, No. 6 | |||
Song Of Peace | Op. 21, No. 7 | |||
Choral | Op. 21, No. 8 | |||
American Indian Melodies | ||||
Approach of the Thunder God |
Op. 11, No. 1 |
1 | ||
The Old Man's Love Song |
Op. 11, No. 2 |
1 | ||
Song of the Deathless Voice |
Op. 11, No. 3 |
2 | ||
Ichibuzzhi |
Op. 11, No. 4 |
1 | ||
The Mother's Vow |
Op. 11, No. 5 |
1 | ||
Inketunga's Thunder Song |
Op. 11, No. 6 |
1 | ||
Song of the Ghost Dance |
Op. 11, No. 7 |
1 | ||
Song to the Spirit |
Op. 11, No. 8 |
1 | ||
Song of the Leader |
Op. 11, No. 9 |
2 | ||
Choral |
Op. 11,No. 10 |
1 | ||
Foote, Arthur | Suite No. 1 in D Minor | 18 | ||
I. Prelude |
Op. 15, No. 1 |
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II. Fugue |
Op. 15, No. 2 |
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III. Romance |
Op. 15, No. 3 |
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IV. Capriccio |
Op. 15, No. 4 |
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From Rest Harrow A Little Suite for the Pianoforte |
12 | |||
Morning Glories | ||||
Rain on the Garret Roof | ||||
A Country Song | ||||
Country Dance | ||||
Alla Turca | ||||
Suite No. 2 in C Minor | 18 | |||
I. Prelude |
Op. 30, No. 1 |
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II. Romance |
Op. 30, No. 2 |
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III. Toccata |
Op. 30, No. 3 |
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Five Poems After Omar Khayyam | 24 | |||
I. |
Op. 41, No. 1 |
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II. |
Op. 41, No. 2 |
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III. |
Op. 41, No. 3 |
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IV. |
Op. 41, No. 4 |
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V. |
Op. 41, No. 5 |
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Scherzino |
Op. 42, No. 1 |
6 | ||
Étude Arabesque |
Op. 42, No. 2 |
6 | ||
Serenade | 13 | |||
I. Aubade |
Op. 45, No. 1 |
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II. Air |
Op. 45, No. 2 |
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III. A Dance |
Op. 45, No. 3 |
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IV. Finale |
Op. 45, No. 4 |
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V. Toccatina |
Op. 45, No. 5 |
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Silhouettes | 17 | |||
I. Prelude |
Op. 73, No. 1 |
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II. Dusk |
Op. 73, No. 2 |
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III. Valse Triste |
Op. 73, No. 3 |
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IV. Flying Cloud |
Op. 73, No. 4 |
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V. Oriental Dance |
Op. 73, No. 5 |
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Foster, Stephen | Holiday Schottische | 3 | ||
Old Folks At Home Theme and Variations |
5 | |||
Quadrilles | 5 | |||
1. Old Folks At Home | ||||
2. Oh! Boys, Carry Me Long | ||||
3. Nelly Bly | ||||
4. Farewell, My Lilly Dear | ||||
5. Cane Break Jig | ||||
Santa Anna's Retreat Quick-step | 4 | |||
Soirée Polka | 3 | |||
Tioga Waltz | 3 | |||
The Village Bells | 4 | |||
Piano 4 Hands | Soirée Polka | 6 | ||
Gottschalk, Louis Moreau | Bamboula Danse des Nègres |
Op. 2 |
15 | |
La Savane Ballade Creole |
Op. 3 |
8 | ||
Le Bananier Chanson Nègre |
Op. 5 |
4 | ||
Le Mancenillier
Sérénade |
Op. 11 |
10 | ||
La Scintilla Mazurka Sentimentale |
Op. 20 |
6 | ||
La Jota Aragonesa Caprice Espagnol |
Op. 14 |
5 | ||
Souvenirs D'Andalousie Caprice de Concert |
Op. 22 |
10 | ||
Manchega Etude de Concert |
Op. 38 |
8 | ||
Minuit À Séville Caprice |
Op. 30 |
13 | ||
The Last Hope Religious Meditation |
Op. 16 |
9 | ||
Tournament Galop | 12 | |||
The Banjo American Sketch |
Op. 15 |
13 | ||
Marche de Nuit | Op. 17 | 10 | ||
Printemps D'Amour Mazurka, Caprice de Concert |
Op. 40 | 13 | ||
Ricordati Nocturne-Méditation-Romance |
Op. 26 | 6 | ||
Sospiro Valse Poétique |
Op. 24 | 9 | ||
Souvenir de Porto Rico Marche des Gibaros |
Op. 31 | 10 | ||
Danza | Op. 33 | 10 | ||
Ojos Criollos Danse Cubaine-Caprice Brillant |
Op. 37 | 5 | ||
Souvenir de la Havane Grande Caprice de Concert |
Op. 39 | 14 | ||
Berceuse Cradle Song |
Op. 47 | 8 | ||
O Ma Charmante, Épargnez
Moi! Caprice |
Op. 44 | 5 | ||
Suis Moi! Caprice |
Op. 45 | 9 | ||
Union Concert Paraphrase on National Airs |
Op. 48 | 17 | ||
Home, Sweet Home Caprice, after Bishop |
Op. 51 | 10 | ||
La Columbe Petite Polka |
Op. 49 | 10 | ||
La Gallina Danse Cubaine |
Op. 53 | 6 | ||
The Dying Poet Méditation |
6 | |||
Ses Yeux Polka de Concert |
Op. 66 | 13 | ||
Morte!! Lamentation |
Op. 60 | 6 | ||
Grand Scherzo | Op. 57 | 12 | ||
Pasquinade Caprice |
Op. 59 | 9 | ||
Ballade No. 6 | Op. 85 | 10 | ||
Grainger, Percy Aldridge
|
General note: Unlike virtually all other printed works through the mid-20th century, the Grainger works carry a unique publishing format, and the publishing layout and graphics are almost as much a part of the flavor of the piece as the music itself. | |||
Children's March from: Over The Hills And Far Away |
2 | |||
Colonial Song | 8 | |||
Country Gardens | 6 | |||
Eastern Intermezzo | 6 | |||
In A Nutshell | 54 | |||
1. Arrival Platform Humlet |
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2. Gay But Wistful |
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3. Pastoral |
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Irish Tune from County Derry | 5 | |||
Lullaby from: Tribute to Foster |
16 | |||
Mock Morris Concert Version |
10 | |||
Mock Morris Popular Version |
8 | |||
Molly on the Shore | 16 | |||
One More Day, My John | 5 | |||
Shepherd's Hey | 7 | |||
Spoon River | 8 | |||
The Sussex Mummers' Christmas Carol | 4 | |||
Walking Tune | 8 | |||
Griffes, Charles Tomlinson |
Three Tone-Pictures | 13 | ||
The Lake At Evening | Op. 5, No. 1 | |||
The Vale Of Dreams | Op. 5, No. 2 | |||
The Night Winds | Op. 5, No. 3 | |||
Fantasy Pieces | 34 | |||
Barcarolle | Op. 6, No. 1 | |||
Notturno | Op. 6, No. 2 | |||
Scherzo | Op. 6, No. 3 | |||
Roman Sketches | 30 | |||
The White Peacock | Op. 7, No. 1 | |||
Nightfall (Al far della notte) | Op. 7, No. 2 | |||
The Fountain Of The Acqua Paola | Op. 7, No. 3 | |||
Clouds | Op. 7, No. 4 | |||
Sonata | 30 | |||
Dance Song | 2 | |||
March | 2 | |||
Marching Song | 2 | |||
Heinrich, Anthony Philip |
Sonata for the Piano Forte from: The Dawning of Music in Kentucky |
13 | ||
Herbert, Victor | La Coquette | 6 | ||
The Mountain Brook | 5 | |||
Hewitt, James |
Mark My Alford A favorite air with variations |
5 | ||
Hill, Edward Burlingame | Four Sketches After Stephen Crane | 11 | ||
Op. 7, No. 1 |
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Op. 7, No. 2 |
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Op. 7, No. 3 |
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Op. 7, No. 4 |
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Country Idylls | 15 | |||
A Spring Morning |
Op. 10, No. 1 |
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A Starlit Night |
Op. 10, No. 2 |
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An Autumn Hunting Song |
Op. 10, No. 3 |
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An August Lullaby |
Op. 10, No. 4 |
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In a Garden by Moonlight |
Op. 10, No. 5 |
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A Summer Evening |
Op. 10, No. 6 |
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Hoffman, Richard |
Dixiana Caprice for the Pianoforte on the Popular Negro Minstrel's Dixie's Land |
7 | ||
Ives, Charles | Study No. 5 | 12 | ||
The Anti-Abolitionist Riots in
the 1830's and 1840's (Study No. 9) |
4 | |||
Some South-Paw Pitching (Study No. 21) |
5 | |||
Kelley, Edgar Stillman | Confluentia |
Op. 2, No. 2 |
4 | |
The Headless Horseman |
Op. 2, No. 3 |
10 | ||
Loomis, Harvey W. | Lyrics of the Red Man, Book I | 10 | ||
Music of the Calumet |
Op. 76, No. 1 |
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A Song of Sorrow |
Op. 76, No. 2 |
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Around the Wigwam |
Op. 76, No. 3 |
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The Silent Conquerer |
Op. 76, No. 4 |
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The Warriors' Dance |
Op. 76, No. 5 |
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MacDowell, Edward | Forgotten Fairytales | 10 | ||
1. Sung Outside The Prince's Door | Op. 4, No. 1 | |||
2. Of A Tailor And A Bear | Op. 4, No. 2 | |||
3. Beauty In The Rosegarden | Op. 4, No. 3 | |||
4. From Dwarfland | Op. 4, No. 4 | |||
Praeludium from First Modern Suite |
Op. 10, No. 1 |
10 | ||
Serenata |
Op. 16 |
4 | ||
Witches Dance (Hexentanz) |
Op. 17, No. 2 |
9 | ||
Six Poems After Heinrich Heine | 21 | |||
1. From A Fisherman's Hut |
Op. 31, No. 1 |
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2. Scotch Poem |
Op. 31, No. 2 |
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3. From Long Ago |
Op. 31, No. 3 |
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4. The Post Wagon |
Op. 31, No. 4 |
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5. The Shepherd Boy |
Op. 31, No. 5 |
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6. Monologue |
Op. 31, No. 6 |
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Four Little Poems | 8 | |||
1. The Eagle |
Op. 32, No. 1 |
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2. The Brook |
Op. 32, No. 2 |
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3. Moonshine |
Op. 32, No. 3 |
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4. Winter |
Op. 32, No. 4 |
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Etude de Concert |
Op. 36 |
10 | ||
Marionettes | 15 | |||
1. Prologue |
Op. 38, No. 1 |
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2. Soubrette |
Op. 38, No. 2 |
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3. Lover |
Op. 38, No. 3 |
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4. Witch |
Op. 38, No. 4 |
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5. Clown |
Op. 38, No. 5 |
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6. Villain |
Op. 38, No. 6 |
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7. Sweetheart |
Op. 38, No. 7 |
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8. Epilogue |
Op. 38, No. 8 |
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Twelve Etudes | 38 | |||
1. Jagdlied |
Op. 39, No. 1 |
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2. Alla Tarentella |
Op. 39, No. 2 |
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3. Romanze |
Op. 39, No. 3 |
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4. Arabeske |
Op. 39, No. 4 |
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5. Waldfahrt(Forest Journey) |
Op. 39, No. 5 |
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6.Gnomentanz(Gnomes' Dance) |
Op. 39, No. 6 |
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7. Idylle |
Op. 39, No. 7 |
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8. Schattentanz (Shadow Dance) |
Op. 39, No. 8 |
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9. Intermezzo |
Op. 39, No. 9 |
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10. Melodie | Op. 39, No.10 | |||
11. Scherzino | Op. 39, No.11 | |||
12. Ungarisch (Hungarian) | Op. 39, No.12 | |||
Sonata No. 1 in G Minor |
Op. 45 |
28 | ||
I. |
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II. |
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III. |
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IV. |
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Twelve Virtuoso Etudes | 47 | |||
1. Novelette |
Op. 46, No. 1 |
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2. Moto Perpetuo |
Op. 46, No. 2 |
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3. Wilde Jagd |
Op. 46, No. 3 |
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4. Improvisation |
Op.46, No. 4 |
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5. Elfentanz |
Op.46, No. 5 |
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6. Valse Triste |
Op.46, No. 6 |
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7. Burleske |
Op.46, No. 7 |
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8. Bluette |
Op.46, No. 8 |
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9. Träumerie |
Op.46, No. 9 |
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10. Märzwinde |
Op.46,No. 10 |
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11. Impromptu |
Op.46, No. 11 |
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12. Polonaise |
Op.46, No. 12 |
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Sonata No. 2 in G Minor Sonata Eroica |
Op. 50 |
35 | ||
I. |
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II. |
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III. |
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IV. |
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Woodland Sketches | 26 | |||
I. To A Wild Rose |
Op. 51, No. 1 |
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II. Will O' The Wisp |
Op. 51, No. 2 |
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III. At An Old Trysting Place |
Op. 51, No. 3 |
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IV. In Autumn |
Op. 51, No. 4 |
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V. From An Indian Lodge |
Op. 51, No. 5 |
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VI. To A Water-Lily |
Op. 51, No. 6 |
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VII. From Uncle Remus |
Op. 51, No. 7 |
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VIII. A Deserted Farm |
Op. 51, No. 8 |
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IX. By A Meadow Brook |
Op. 51, No. 9 |
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X. Told At Sunset |
Op. 51,No. 10 |
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Sea Pieces | 23 | |||
1. To The Sea |
Op. 55, No. 1 |
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2. From A Wandering Iceberg |
Op. 55, No. 2 |
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3. A. D. MDCXX |
Op. 55, No. 3 |
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4. Starlight |
Op. 55, No. 4 |
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5. Song |
Op. 55, No. 5 |
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6. From The Depths |
Op. 55, No. 6 |
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7. Nautilus |
Op. 55, No. 7 |
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8. In Mid-Ocean |
Op. 55, No. 8 |
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Sonata No. 3 in D Minor The Norse Sonata |
Op. 57 |
27 | ||
I. | ||||
II. | ||||
III. | ||||
Sonata No. 4 in E Minor |
Op. 59 |
29 | ||
I. |
||||
II. |
||||
III. |
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Fireside Tales | 19 | |||
1. An Old Love Story |
Op. 61, No. 1 |
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2. Of Br'er Rabbit |
Op. 61, No. 2 |
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3. From A German Forest |
Op. 61, No. 3 |
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4. Of Salamanders |
Op. 61, No. 4 |
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5. A Haunted House |
Op. 61, No. 5 |
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6. By Smouldering Embers |
Op. 61, No. 6 |
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New England Idyls | 32 | |||
I. An Old Garden |
Op. 62, No. 1 |
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II. Mid-summer |
Op. 62, No. 2 |
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III. Mid-winter |
Op. 62, No. 3 |
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IV. With Sweet Lavender |
Op. 62, No. 4 |
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V. In Deep Woods |
Op. 62, No. 5 |
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VI. Indian Idyl |
Op. 62, No. 6 |
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VII. To An Old White Pine |
Op. 62, No. 7 |
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VIII. From Puritan Days |
Op. 62, No. 8 |
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IX. From A Log Cabin |
Op. 62, No. 9 |
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X. The Joy Of Autumn |
Op. 62,No. 10 |
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2 Pianos Four Hands | Piano Concerto No. 2 in D Minor |
Op. 23 |
76 | |
I. Larghetto calmato |
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II. Presto giocoso |
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III. Largo |
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Mason, Daniel Gregory | Variations on "Yankee Doodle" in the Style of Various Composers | Op. 6 | 12 | |
Mason, William | Silver Spring |
Op. 6 |
13 | |
Novelette |
Op. 31, No. 2 |
6 | ||
Nevin, Ethelbert | Two Études | 20 | ||
I. Etude in form of a Romance |
Op. 18, No. 1 |
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II. Etude in form of a Scherzo |
Op. 18, No. 2 |
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Ornstein, Leo | Berceuse |
Op. 7, No. 1 |
2 | |
Mazurka |
Op. 7, No. 2 |
2 | ||
Romance |
Op. 7, No. 3 |
2 | ||
Humoresque |
Op. 7, No. 4 |
2 | ||
Mélancholie |
Op. 7, No. 5 |
2 | ||
Danse Fantastique |
Op. 7, No. 6 |
2 | ||
Gavotte |
Op. 7, No. 7 |
2 | ||
Valse |
Op. 7, No. 8 |
2 | ||
Danse Burlesque |
Op. 7, No. 9 |
3 | ||
Paine, John Knowles | Birthday Impromptu |
Op. 41, No. 2 |
2 | |
Fuga Giocosa |
Op. 41, No. 3 |
4 | ||
Parker, Horatio | Conte Sérieux |
Op. 49, No. 1 |
5 | |
La Sauterelle |
Op. 49, No. 2 |
3 | ||
Persichetti, Vincent | Poems, Vol. I | 12 | ||
1.Unroll the flicker's rousing drum (Louis Untermeyer) | ||||
2. Soft is the collied night (James Elroy Flecker) | ||||
3. Gather for festival bright weed and purple shell (H. D.) | ||||
4. Wake subtler dreams, and touch me nigh to tears (William Watson) | ||||
5. Ravished lute, sing to her virgin ears (Robert Fitzgerald) | ||||
6. Whose thin fraud I wink at privily (William Watson) | ||||
Poems, Vol. II |
Op. 5 |
12 | ||
7. And warm winds spilled fragrance into her solitudes (Edmond Kowalewski) | ||||
8.To whose more clear thancrystal voice the frost had joined a crystal spell (Léonie Adams) | ||||
9. Sleep, weary mind; dream, heart's desire (Edna St. Vincent Millay) | ||||
10. Dust in sunlight, and memory in corners (T.S.Eliot) | ||||
11. Make me drunken with deep red torrents of joy (John Gould Fletcher) | ||||
Poems, Vol. III |
Op. 14 |
23 | ||
12. Rear its frondings sighing in aetherial fields (Hart Crane) | ||||
13. Listen! Can you hear the antic melody of fear those two anxious feet are playing? (Walter Prude) | ||||
Puffed out and marching upon a blue sky (Amy Lowell) | ||||
15. And hung like those top jewels of night (Léonie Adams) | ||||
16. Each gay dunce shall lend a hand (John Trumbull) | ||||
Sources of Poems | ||||
Four Arabesques |
Op. 141 |
8 | ||
Little Piano Book |
Op. 60 |
15 | ||
1. Berceuse | ||||
2 Capriccio | ||||
3. Dialogue | ||||
4. Masque | ||||
5. Statement | ||||
6. Arietta | ||||
7. Humoreske | ||||
8. Fanfare | ||||
9. Interlude | ||||
10. Prologue | ||||
11.Canon | ||||
12. Epilogue | ||||
13. Fugue | ||||
14. Gloria | ||||
Piston, Walter | Passacaglia | 4 | ||
Riegger, Wallingford | Petite Etude | Op. 62 | 3 | |
Ruggles, Carl | Angels | 2 | ||
Evocations Four Chants for Piano |
7 | |||
I. Largo |
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II. Andante con Fantasia |
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III. Moderato Appassionato |
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IV. Adagio Sostenuto |
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Sousa, John Philip | The Gladiator | 3 | ||
The March Past of the Rifle Regiment | 4 | |||
Semper Fidelis | 3 | |||
The March Past of the National Fencibles | 3 | |||
The Thunderer | 3 | |||
The Washington Post | 3 | |||
The Picador March | 3 | |||
The High School Cadets | 3 | |||
The March Past of the Corcoran Cadets | 3 | |||
The Manhattan Beach March | 4 | |||
The Liberty Bell | 4 | |||
The Beau Ideal March | 3 | |||
King Cotton | 4 | |||
El Capitan | 4 | |||
The Bride-Elect | 4 | |||
The Stars and Stripes Forever March |
4 | |||
The Stars and Stripes Forever Song |
4 | |||
Hands Across The Sea | 4 | |||
Hail to the Spirit of Liberty | 4 | |||
The Invincible Eagle | 4 | |||
Imperial Edward | 4 | |||
Jack Tar | 4 | |||
The Diplomat | 4 | |||
The Free Lance | 4 | |||
Piano 6 Hands |
The Stars and Stripes Forever arranged for Piano, 6 hands |
10 | ||
Shepherd, Arthur | Mazurka |
Op. 2, No. 1 |
9 | |
Troyer, Carlos | Ghost Dance Of The Zuñis | 7 | ||
Warren, George William |
The Andes Marche di Bravura |
13 | ||
Whiting, Arthur | Humoreske | 4 | ||
Bagatelle | 5 |